My favourites from 2024

Cameron Bishop
Dec 27, 2024
11 min read

Updated: Apr 10

As I assemble my top 20 albums and songs from this year, I wanted to take the opportunity to highlight some songs and albums that did a very specific thing well this year. Some of these superlatives will be about the songs more objective qualities, while some will be about how they fit into my broader listening this year, but all of them, I feel, deserve attention for their own unique qualities.

If you want to listen to my favourites as you read along, I've made a companion playlist on Apple Music (with auto-synced versions available on Spotify and YouTube). Linked below!

Most underrated album of the year

Criteria: This is the album I feel has gone most unfairly under the radar. It might be an album that isn't talked about enough, or one that is talked about, but not as highly as I believe it should be. Or maybe even a combination of both.

Los Campesinos! - All Hell

Kind of like: Gang of Youths, Death Cab for Cutie Songs to try: The Coin-Op Guillotine, A Psychic Wound, To Hell in a Handjob

If your thing is indie rock with great emo lyricism and a buried but noticeable punk streak, this album should absolutely be on your radar. This album is witty, depressing, masochistic, sadistic, frustrated, and so much more, all while still being an exciting and mostly coherent listen. It's one of those albums that has that perfect balance between the in-depth, something-new-every-listen approach and the immediate, fun, catchy approach which makes it great to listen to regardless of the level of focus you can afford it (although, as ever, I recommend a focused first listen).

Concept Album of the Year

Criteria: The album which I feel has the most interesting concept and/or execution of that concept which is explored over the course of it's runtime.

Honourable Mention: Lupe Fiasco - Samurai

Just an honourable mention here first. I didn't really connect with this album as much as I would have thought, and I think the execution of the concept seems a little lacking, at least on first few listens, but I couldn't talk about concepts of the year without discussing the album which dives into Amy Winehouse's hypothetical rap career. It's such an interesting concept, and I hope it is more embedded in the music than I can see after my first couple listens, because it's exactly the type of concept I'd love to get on board with.

Magdalena Bay - Imaginal Disk

Kind of like: Japanese Breakfast, a moodier Dua Lipa, Carly Rae Jepsen Songs to try: Killing Time, Image, Love Is Everywhere

There's so much to love about this album, and you'll definitely find out more about that if you catch my top 20 albums list that'll be coming out sometime in the new year. Sticking to the album's concept though, the concept is somewhat open to interpretation I think, but I'm fairly confident in my personal reading of it, which is that it's an album about cultural assimilation of some kind. Broadly, it is undoubtedly about a transformation, but how sinister (or not) that transformation is is largely left up to the listener.

On first listen, I considered it a positive transformation, probably due to the album closing on the happy love song The Ballad of Matt & Mica, but on repeat listens I picked up on some less happy undertones. Or more accurately, undertones that were too happy. It gave me Stepford Wives vibes, and my current interpretation as of writing this is that the album is from the perspective of someone who undergoes a transformation from a regular human with flaws and expectations into an eerie, overly-smooth version of themselves, a Stepford Wife that fits in perfectly at the expense of individuality, in order to attain the "dream" of a spouse, a house, and kids to run around it.

With both interpretations, though, one thing (other than the broader theme of transformation) remains the same: excellence in execution. It's almost reminiscent of how David Bowie's "Heroes" similarly has various valid interpretations that all feel powerful (a phenomenon I wrote about here, if you feel like checking it out).

Boundary Breaker

Criteria: This one doesn't have to necessarily be a groundbreaking release, it just needs to force me out of my comfort zone. This is the album that introduced me to a genre or style of music that I previously considered in some way out of bounds.

Charli xcx - BRAT

Songs to try: 360, Von dutch, Talk talk

I have so much to say about this one. It's an incredible album with so much interesting stuff going on, and as I mentioned with the Magdalena Bay album, there'll be plenty more on my top 20 albums list coming soon, but for the purposes of this list, I'll keep it about what this album did that was new to me.

This wasn't quite my first electronic album -- for starters it's a broad enough term that you could argue anything with a synth falls under it -- but full on EDM was something I never thought I'd be able to enjoy, even when my concern of there generally not being any lyrics is addressed. So for that reason, when I saw Charli xcx starting to blow up in the build up to this album I just rolled my eyes dismissively and moved on. Then I kept hearing about it and got curious what all the fuss was about, so I watched the Von dutch video and... I still didn't get it. I thought the video was really cool, but the song itself did nothing for me. Then, a month or so later, I had the song on repeat and ended up listening to it over 20 times in a matter of days (which is a lot for me, I tend to like a bit more variety) and listening to every post-transformation Charli xcx album before this album released.

And that's the strange thing about this for me: it was Von dutch that did it for me. It wasn't something stripped back enough to be accessible like 360, and it wasn't something somewhat similar to the likes of The 1975's sound like Talk talk, for example. It wasn't even one of the ballads. It was the most abrasive and unapologetically electronic cut of the album outside of the closer 365 or maybe B2b (both of which are probably top 5 on the album for me too). Maybe we should chalk that up to Charli xcx being an extremely talented woman, or maybe it has something to do with the fact that some of her less noticeable influences align with my own. Either way, I couldn't be happier that I gave this album a shot. It really impressed me.

Although, I am now left with an itch for EDM-adjacent music that can match this album which also has some focus on lyrics and it turns out that just isn't that common from what I can tell, so I guess it's a mixed blessing.

Bop of the Year

Criteria: My favourite song for getting me up and moving. It's on the lighter, more upbeat side.

Honourable Mention: Kendrick Lamar - tv off

There weren't many bops this year that really blew me away, if I'm being totally honest. Espresso was a solid contender, but it was weaker than I would like for it to be my choice here. Thankfully though, Kendrick is here to supply (spoilers) two -- and arguably more -- absolutely generational bops. This is my slightly less beloved bop, but even this is chock-full of incredibly catchy bars, and that beat is just so fucking sweet, and the switch? Every single detail is exactly as it needs to be to succeed as a bop. Its never been so challenging to not move.

Kendrick Lamar - Not Like Us

The only person that can top Kendrick Lamar: K. Dot. Basically everything that I said about tv off can be said about Not Like Us, but the latter is also funnier, and feels more righteous, as it tears the biggest rapper alive (at the time, he's no longer alive) to shreds, calling him out for pedophilia (or at least close proximity to it), cultural appropriation, and exploitation of contemporaries.

It was the moment we knew, for sure, that the beef was done. Drake got cooked and Kendrick ate every crumb. It wasn't even close in the end. Everything just came together so perfectly on Kendrick's side as if he had been planning it all for years (which I wouldn't be too shocked by considering the impetus for the beef was seemingly a compliment? Just one that maybe implied that the "big three" were all on the same level?). And this song is the perfect cherry on top of his master-plan.

Euphoria told us Kendrick was here for the beef beyond the verse on Like That, 6:16 in LA told Drake he was here for the beef, Meet the Grahams told us why he was here for the beef, and Not Like Us made all those reasons accessible, fun, and, to the most success, funny. Without any of those previous steps, this might not have hit so hard, but after the severity of the claims was laid out so clearly in previous songs this one became both powerful and infectious.

Jam of the Year

Criteria: My favourite vibey, laid back song. Just a groovy, chill listen.

Honourable Mention: Charli xcx - So i

Okay, maybe this doesn't quite fit the description of a jam that I laid out above, but I think it's fair to say the song is a jam (unless you're one of those disgusting individuals who believe "ballad" is a distinct category. Those people make me sick). It's a pretty minimalist beat that props up a beautiful tribute to a friend and mentor who passed away. Frankly, this deserves some love from me purely on the basis that it gets me teary-eyed. Every time I dare to give this song my full attention the line about turning down an invite to stay for dinner punches me in the gut. It's such a mundane expression of regret, but that's exactly what makes it hit so hard, I think. The fact that everyone has been the person concerned they're overstaying their welcome, or not wanting to spend time with their loved ones for whatever reason and missed the chance to get even closer to them makes the lines critical of your actions in the same way they're critical of Charli's. It's a very powerful moment in a powerful song, and the whole minimalist sound of the track makes sure you feel it.

Kendrick Lamar - reincarnated

This is the perfect example of a hip-hop jam. A simple drum beat, a chill bassline to keep things moving, and restrained melodic hooks. It creates a beautiful backdrop to Kendrick's thoughtful commentary on how fame has influenced his predecessors towards evil and an undesirable death, to then turn that on him, as he reflects on the ways he is influenced by those same forces.

Banger of the Year

Criteria: My favourite song for giving me neck pain or hearing loss. The real blood-pumpers.

Honourable Mention: JPEGMAFIA - don't rely on other men

This is JPEGMAFIA at his abrasive best. The distortion on this track is downright ridiculous, but as ever Peggy knows how to get the balance perfect to make it sweet without going overboard and making it sickly. The Succession sample that runs through the song is bonkers, the lyrics (which aren't typically the focus with JPEGMAFIA's music due to the excellence of his production) are in-your-face and surprisingly catchy to me.

I think it probably helps that the song leans less into the rocky sound that the rest of the album has (as much as I love that sound), because Peggy has always excelled when it came to bangers. His tried and true maximalist sound is the perfect formula for hearing loss in hip-hop and I don't think an album of his would feel complete without at least one of these.

Charli xcx - Von dutch

I talked a bit about this in the Boundary Breaker section, so I'll keep this brief, but the special thing about this track is the production for me. It isn't a maximalist piece like the honourable mention at all, there are very few elements in this song, but the way the bass and vocals are distorted, and the presence that unsettling metallic shrieking sound that kicks in at the chorus has makes the mix seem so full but keeps things extremely memorable to the point where (if I was talented enough to create those sounds in the first place) I could probably recreate the song by memory and get it pretty accurate. For what it's worth, I believe 360 is very similar in that regard. If it wasn't clear that Charli and co. are masters of their craft before, I think the likes of this track settled it.

Favourite Finds of 2024

Criteria: My favourite album and song that I discovered this year that isn't a new release. It might be a massive release I only got around to listening to critically this year, or maybe it's a niche release that few people know about. So long as it wasn't initially released this year, but I only gave it a real listen this year, it counts.

Song pick

Madonna - Papa Don't Preach

If I hadn't gotten around to a proper listen of Madonna's music so late in the year, I probably would have made a think-piece on her legacy by now, because I was very shocked to find out just how huge and influential she was in her prime considering how little she seems to get mentioned now. Of course I knew she was an icon, and I knew there were a few songs I had heard in passing, and even a few that I quite liked to the limited extent I can when I'm not really paying attention to it, but I got the overwhelming feeling that we aren't giving Madonna her flowers nowadays.

This song in particular is probably pushing up against the boundaries of this superlative though, because this was always the Madonna song that stuck with me whenever I heard it on the radio, and I was already pretty familiar with it before my first critical listen (which did still come this year). I already knew I loved it, I just had to pay enough attention to pick out the details about why, and now I can point to the groovy, energetic bassline; the solid lyrics that incidentally highlight how new the abortion moral panic truly is; and Madonna's dynamic vocal performance that runs the gamut, switching seamlessly but impressively between a glitzy pop voice to an impassioned and strained pleading to a growl, giving the song a beautiful rising intensity. It's fun, it's catchy, it's got an interesting premise and some added depth if you're paying attention... Pop just doesn't get much better than this.

Album Pick

MF DOOM - MM.. FOOD

Kind of like: Lupe Fiasco, King Geedorah, Viktor Vaughn Songs to try: Vomitspit, Rapp Snitch Knishes, Kookies

Does a hip-hop album with a classic sound that revolves around food metaphors and double entendres appeal to you? If it does, go nuts, this album is perfect for you. If it sounds a bit cheesy for your tastes, that's fair, I felt the same way at first. But regardless of how skeptical you may be of the album's theme, you'll be asking for seconds before you're done with the entrée. And those seconds will turn to minutes which will turn to hours as you dive deeper, picking up a new stroke of genius every time you give this album a listen.

I'm not exactly sure how many times I've listened to this album now, but I've been going back to it often throughout the year after my first listen early in the year and I still don't feel like I've scratched the surface. I've still only listened to a handful of DOOM's albums for this reason, they're all just so dense that every album, especially this one, is a gift that keeps on giving. Whenever I think about listening to a new album of his, I end up deciding to listen to the albums I already know because I know there's still some novelty buried away in there and I already know I love it. It's either the best curse or worst blessing I could ask for, but either way I'm thankful to my past self for giving me a chance to fall in love with it.

So there are my picks! As mentioned earlier, a top 20 albums will be coming in the new year if you still want to hear more about my favourites of the year, and I'll also try to get a top 20 songs list done before January is over too. And if you want an easy way to listen to the stuff I mentioned here, I'll link the companion playlist on Apple Music, Spotify, and YouTube below, as well as at the top of the page (note: there may be some sync errors on the latter two services). Enjoy!